Caravaggio
Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
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Caravaggio Supper of Aaimasi oil painting


Supper of Aaimasi
mk191 1596-1603 oil on canvas 139x185cm
Painting ID::  48648 		Caravaggio
Supper of Aaimasi
mk191 1596-1603 oil on canvas 139x185cm
   
   
     
Caravaggio Detail of Supper of Aaimasi oil painting


Detail of Supper of Aaimasi
mk191 Oil on canvas
Painting ID::  48649 		Caravaggio
Detail of Supper of Aaimasi
mk191 Oil on canvas
   
   
     
Caravaggio Leaning younger in rose bush oil painting


Leaning younger in rose bush
mk191 Oil on canvas
Painting ID::  48650 		Caravaggio
Leaning younger in rose bush
mk191 Oil on canvas
   
   
     
Caravaggio The Supper at Emmaus oil painting


The Supper at Emmaus
mk216 The Italian Caravaggio was one of the great rebels of art
Painting ID::  50886 		Caravaggio
The Supper at Emmaus
mk216 The Italian Caravaggio was one of the great rebels of art
   
   
     
Caravaggio Lutspelaren oil painting


Lutspelaren
mk234 about 1596 94x120cm
Painting ID::  53778 		Caravaggio
Lutspelaren
mk234 about 1596 94x120cm
   
   
     
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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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